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what you will | romeo & juliet | a midsummer night's dream | richard III

 

2001 | WHAT YOU WILL
Shakespeare's Twelfth Night was adapted into a musical and transported to a 1940's dockside nightclub. The twins, Viola and Sebastian travel throughout the play in sailor suits, encountering Olivia as the Nightclub owner and Malvolio as it's Maitre D. Feste is the piano player who plays the songs the characters sing. Swing dancing, a projected newsreel, fantasy sequences, and a period set transform Tweltfh Night into the very American What You Will.
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2000 | ROMEO & JULIET
This most familiar of love stories was retold against a backdrop of 22 white-robed ghosts. These ghosts form a living chorus that commented not on the play itself, but on the journey of the audience. This retelling of R&J was performed with no set and no props. In our adaptation, Mercutio and Benvolio were portrayed by women, and the nurse by a man. The fights unfold as dance, and most of the scenic conciets are achieved through light.
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1999 | A MIDSUMMER NIGHT'S DREAM
Set in an old theater, Shakespeare's story of love-crazed gods and mortals was reimagined as a frenetic musical interplay between patrons and stagehands, and ghosts. The spirits included, Titania as Norma Desmond with six showgirl fairies, Oberon as a leading man past his prime and Puck as his dresser, and the theater itself as a living participant. With seven full-blown production numbers, celebrating the styles of the great American musical, this campy musical both mocks and celebrates the theater as a place where magic continues to thrive. 
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1998 | RICHARD III
A bare room backed by a giant television screen created the stage for this multi-media rumination on the nature of truth in a media saturated world. The action of the play was transformed into a modern American political campaign; Richard destroys his enemies through lies and innuendos which are played out in the public square of our modern world: television.
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